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DIGITAL DOMAIN and DAVID FINCHER TEAM UP AGAIN FOR MOTOROLA

Exciting new phone concept yields stunning spot
 


Venice, Calif.
Feb 06, 2006– Motorola’s “PEBL” communicates its message subtly but with the look and feel of an nature film. The message, weaved through the raw but breathtaking cinematic imagery, is that Motorola’s new PEBL phone is the product of natural design – simple and perfect. With nearly every moment created through the use of photoreal, computer-generated graphics, the spot is a trip through the ages—a time lapse through thousands of years of evolution.

Following up on the successful launch of the RAZR phone, Motorola was in a position to capitalize on the anticipatory buzz surrounding the phone manufacturer’s next design. Motorola’s agency, 180 Communications, Amsterdam, recognized that the introductory spot needed to convey the genius behind the PEBL’s design and create a buzz worthy of “the next big thing.” Executing such a spot was left to Venice, Calif. digital production studio Digital Domain and well-known feature film and spot director David Fincher, via bicoastal international Anonymous Content.

The collaboration between Digital Domain and Fincher has yielded numerous striking and award-winning commercials such as “Nike Gamebreakers,” Hewlett Packard’s “Constant Change” and Heineken’s “Beer Run”—spots genuinely unlike anything that came before them. “PEBL” would be no exception.

“PEBL” opens on a meteorite spinning in zero gravity and hurtling through the earth’s atmosphere. Down on the planet surface, the burning rock streaks out of the sky and pounds into the ground, leaving a ball of dust and smoke in the air. In its resting place, the elements gradually erode the meteorite. Rain, wind, and the hot sun take their toll shrinking and softening the rock’s surface. Eventually, the ground beneath it gives way. The meteorite tumbles into a valley where, over time, a glacier encases it in ice and
pushes it into the ocean.

“We worked closely with David [Fincher] to give the spot a documentary feel. The goal was to convince the viewer that there were filmmakers with tripods and cameras out on the edge of a glacier documenting the evolution of the phone,” said Ed Ulbrich, Digital Domain’s Senior VP, General Manager. “Our artists explored the details of this kind of look to give every shot its own filmic treatment and a stock footage feel.”

Ages pass and the dark grey rock is smoothed and rounded as the tide carries it to and fro, eventually pushing it into shallower waters…. The final shot depicts the new Motorola PEBL lying on the shore among thousands of soft, rounded, grey rocks. A pair of bare feet step to the scene and a hand reaches down for the PEBL. A soft whisper is heard before the commercial fades to black, “Hello Moto.”

“’The PEBL’s design is simple and elegant,” added Ulbrich, “and the advertising concept behind the PEBL emphasizes the same benefits. Because the concept was so good and the directorial talent was at the highest level, we felt we had an opportunity to help create something very special.”

ABOUT DIGITAL DOMAIN

Founded in 1993, Digital Domain, Inc. has established a world-class reputation for innovation and artistry. Recipient of four Academy Awards, the studio has produced visual effects over the last ten years for films that have generated over $4 billion in worldwide theatrical box-office sales.

In the world of commercials, Digital Domain is one of the industry’s largest and most honored creators of visual effects, including the cutting edge advertising campaigns for Adidas and Nike directed by David Fincher. The division consistently works with a stellar group of A-list directors including Michael Bay, Joe Pytka, Bruce Dowad, David Kellogg and Alex Proyas. Industry awards for the commercials division include numerous Clio awards, AICP awards, Cannes Lion awards as well as numerous other industry honors.

Digital Domain is currently one of the largest digital studios in the world and hosts an integrated production studio that includes divisions for Feature Film Visual Effects, Commercial Production, Music Videos, Location Based Entertainment and Feature Film Development.

Quick time and frames are available:

Press Contact: Fran Koenig (203) 661 5090, koenigpr@optonline.net

Credits for Motorola: “PEBL”

Directed by David Fincher

Client: Motorola

Elena Panizza Global Creative Director –Mobile Devices
Tara Mathew

Agency: 180 Communications

Adam Chasnow Creative Director
Antero Jokinen Art Director
Niklas Lilja Copy Writer
Tony Stearns Senior Producer

Production Company: Anonymous Content

David Fincher Director
Dave Morrison Executive Producer
Jeff Baron Head of Production
Robin Buxton Producer

Visual Effects and Animation by: Digital Domain, Inc.

Ed Ulbrich SVP / Executive Producer
Michael Pardee Head of Production
Lisa Beroud VFX Producer
Chris House Digital Production Manager
Eric Barba VFX Supervisor
Jay Barton CG Supervisor
Tom Allen Digital Artist
Gordon Chapman Digital Artist
John Cooper Digital Artist
Jim Gaczkowski Digital Artist
Cody Harrington Digital Artist
Brad Herman Digital Artist
Richard Morton Digital Artist
Terry Naas Digital Artist
Chris Yang Digital Artist
Youngsam Suh Digital Artist
Jonny Hicks Lead Compositor
Joseph Farrell Matte Paint Artist
Marc Perrera Matte Paint Artist
Daniel Thron Matte Paint Artist
Krista Benson Nuke Compositor
Janelle Croshaw Nuke Compositor
Greg Teegarden Nuke Compositor

Chris DeSantis Pre-Vis Artist

Editing by: Rock Paper Scissors

Angus Wall Editor
Scott Friske Producer

Sound Design by: MIT Out Sound

Ren Klyce Sound Designer
Misa Kageyama Sound Design Producer

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